| 1 | The passage is primarily concerned with | 
| A. | comparing the works of three Black American authors | 
| B. | describing common themes in Black American literature | 
| C. | discussing an important work in Black American literature | 
| D. | providing insights about Black American literature in the early twentieth century | 
| E. | providing historical information about the writing of Black American novels in the second half the twentieth century | 
| 2 | According to the passage, Hurston, Brooks, and Marshall are alike in that they | 
| A. | did not examine the effects of White culture on their characters' lives | 
| B. | were heavily influenced by the protest novels of the early twentieth century | 
| C. | used Black communities as the settings for their novels | 
| D. | wrote primarily about the difficulties their characters encountered in White culture | 
| E. | wrote exclusively about female characters and the experiences of women | 
| 3 | The author's description of the way in which Marshall depicts her heroine's development is most probably intended to | 
| A. | continue the discussion of similarities in the works of Brooks, Hurston, and Marshall | 
| B. | describe the specific racial and sexual stereotypes that Marshall attacked | 
| C. | contrast the characters in Marshall's novels with those in later works | 
| D. | show how Marshall extends the portrayal of character initiated by her predecessors | 
| E. | compare themes in Marshall's early work with themes in her later novels | 
| 4 | It can be inferred that the author of the passage would describe Brown Girl, Brownstones as being | 
| A. | completely different from novels written before 1959 | 
| B. | highly influenced by novels written in the early twentieth century | 
| C. | similar to the protest novels that preceded it | 
| D. | important in the late 1950's but dated today | 
| E. | an important influence on novels written in the 1970's |