| 1 |
The passage is primarily concerned with |
| A. |
comparing the works of three Black American authors |
| B. |
describing common themes in Black American literature |
| C. |
discussing an important work in Black American literature |
| D. |
providing insights about Black American literature in the early twentieth century |
| E. |
providing historical information about the writing of Black American novels in the second half the twentieth century |
| 2 |
According to the passage, Hurston, Brooks, and Marshall are alike in that they |
| A. |
did not examine the effects of White culture on their characters' lives |
| B. |
were heavily influenced by the protest novels of the early twentieth century |
| C. |
used Black communities as the settings for their novels |
| D. |
wrote primarily about the difficulties their characters encountered in White culture |
| E. |
wrote exclusively about female characters and the experiences of women |
| 3 |
The author's description of the way in which Marshall depicts her heroine's development is most probably intended to |
| A. |
continue the discussion of similarities in the works of Brooks, Hurston, and Marshall |
| B. |
describe the specific racial and sexual stereotypes that Marshall attacked |
| C. |
contrast the characters in Marshall's novels with those in later works |
| D. |
show how Marshall extends the portrayal of character initiated by her predecessors |
| E. |
compare themes in Marshall's early work with themes in her later novels |
| 4 |
It can be inferred that the author of the passage would describe Brown Girl, Brownstones as being |
| A. |
completely different from novels written before 1959 |
| B. |
highly influenced by novels written in the early twentieth century |
| C. |
similar to the protest novels that preceded it |
| D. |
important in the late 1950's but dated today |
| E. |
an important influence on novels written in the 1970's |